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Cat Tales competition winners announced

We’re delighted to announce the winners of Cat Tales, our short story competition celebrating the special bond between cats and people.

Thank you to everyone who entered and shared their cat-inspired stories with us. We received so many thoughtful, imaginative and moving entries, and loved reading the many different ways cats inspired your creativity.

The competition was judged by Gail Porter, Matt Richardson, Jane Fallon and Anne Twist, and our winning stories will also appear in the autumn edition of The Cat magazine.

Children’s category winner: 'The Library Cat' by Iqbal Hussain

Iqbal’s touching story follows Ahmed, a boy who finds comfort and confidence in the quiet companionship of a cat he meets at the library.

Iqbal said: “I was inspired to enter the competition because I’ve always been fascinated by cats and how mysterious they are - how they work on many levels to win our affections.

"I had a bad stammer as a child and I know how comforting it was whenever I’d speak in front of our cat Julie. She was just such a patient audience and my worry about speaking fluently would vanish just by having Julie next to me.”

 

Read 'The Library Cat'

I always know which words will trip me up - usually small ones with short, sharp sounds, though some longer ones too. Words a three-year-old could say, but which stick in my throat.

Take. Done. Put. Because. Give. Cool.

Except it’s not cool. The words refuse to leave my mouth. I hang on to the stubborn first letter – P-P-P-P-P. Or I block completely, like my lips are sealed, my tongue stuck to the roof of my mouth. I blush raspberry red. The person I’m talking to looks away, embarrassed. Or they walk off. Worse, they finish my sentence for me, usually getting it wrong. But I can’t correct them because I’ll only stammer again if I try.

That’s why I like the library. No-one’s asking me to speak. It’s quiet and calm. With four older brothers, it can be noisy at home. Here, I have half an hour after school to lose myself in a book. Written words flow more easily than they ever do out loud.

Today, I’m not so chill. The lines on the page keep jumping around as I think about tomorrow: it’s my turn to read out aloud in assembly. Mr Dunstan says public speaking is “good for the constitution”, whatever that means.

As I scan the same line for the fourth time, a loud miaow catches my attention. It’s a cat - a long-haired tortoiseshell with amber eyes. It jumps onto the window seat where I always sit, nudging my knee with its head as if asking to be stroked. Also not cool, but I’m a bit scared of cats – all teeth and claws – yet this one won’t stop bumping me. I reach out and gingerly stroke it. Its fur is soft under my fingers. It begins to purr, arching its back. I pull back, worried it might lash out. But it doesn’t. It bumps my leg again, only stopping when I start stroking it once more.

How did it get in?

Mrs Jones the librarian clearly has the same thought. She calls out, “I’m so sorry, Ahmed, dear. We don’t allow ca-” She doesn’t finish. I look up. She gives me a tiny smile, the faintest nod, then returns to her pile of books.

The cat snuggles into me, its purring loud and steady, like a gentle drumroll only I can hear. Running my fingers through its thick fur, I pick up the book with my free hand and continue reading - the very passage I’ll have to read out in assembly tomorrow. Thinking of Mr Dunstan’s expectant face, I force myself to say the words out loud. Except my mouth is glued shut. Nothing comes out.

I take a deep breath, the muscles in my neck twitching. It’s so frustrating. I’m stuck on the very first word. Back. Just four letters. One tiny word. I can say it silently in my head, but just not for real. The more I try to force the B out, the more it lodges in my throat.

I must have stopped stroking the cat, because it nudges me, followed by a drawn-out miaow. I stroke it some more. Matching my delivery to the cat’s purring, I mouth the words on the page.

Slowly, my lips and tongue unstick, and the words begin to tumble out, like water from a stiff tap that’s been loosened. At first, they’re all cluttered and stuck together. But the cat doesn’t mind, and neither do I. Tracing the words on the page with my finger, I speak them along with the cat’s rhythmic purring. It twitches its tail, as if cheering me on.

The more I warm up, the more my words untangle and sound clearer. I still stammer here and there, but having the cat beside me makes speaking easier. When I hit a tricky word, like telephone or difficult, and I need to take a run at the first letter to get past it, the cat curls in closer, as if it knows I’m struggling. It doesn’t rush me. It doesn’t run off in impatience. It just stays by my side, a warm, soothing, reassuring presence.

Before I know it, I’m at the end of the page. I’ve read every word out aloud, fluent in some sections, stumbling through others, but I’ve made it all the way through. I breathe out and allow myself a mental pat on the back.

As I shift, I rouse the cat. It gets up and stretches, kneading my thigh with its paws.

“We’ll be closing in five minutes, Ahmed,” calls Mrs Jones as she turns off the lights. “And that was beautifully read, my dear.”

I look up and smile at her. She presses a hand to her chest, her eyes twinkling.

The cat jumps off my lap and slips out the front door. I watch it go, feeling a little more hopeful – and a little braver – about tomorrow.

I pick up my school bag. It’s time to go home.

Adult category winner: 'Nine Lives' by Emily Underdown

Our adult category winning story, Nine Lives, is a beautifully written reflection on companionship, grief and the quiet ways cats can help us feel a little less alone.

Read 'Nine Lives'

I have had many names, though I was never very good at answering to them.

Marmalade, once. Captain, briefly. A soft, fond darling murmured into my fur. And once – only once – “Oi, you,” shouted across a garden I did not intend to leave.

It never mattered.

Names are for calling things back, and I have always known when it was time to go.

This is what I have learned, in the quiet spaces between one life and the next:

Humans think they choose us.

They do not.

We arrive when we are needed. We leave when we are not.

Or when we are needed somewhere else.

In my first life, I belonged to a child who whispered her secrets into my fur.

She told me about the dark beneath her bed, about the girl at school who would not share, about the way her parents’ voices changed behind closed doors. At night, I slept curled against her throat, feeling each small breath.

When she cried, I pressed my nose to her cheek until the tears slowed.

In that life, I learned that small hearts carry very large things.

In my second life, I lived in a house that was always full. Shoes crowded the doorway. Voices spilled from room to room.

No one noticed me much.

And yet, when the house softened - when the lights dimmed and the noise folded in on itself - they came looking.

A boy with jam on his hands. A mother too tired to speak. A father staring at nothing at all.

They found me in the quiet.

In that life, I learned that even in crowded places, people can be terribly alone.

In my third life, I belonged to a man who had forgotten how to laugh.

He sat by the fire and spoke as though I were someone he had once known. His stories wandered, never quite finding their endings.

I listened.

One evening, a laugh escaped him - small and surprised. He looked at me as though I had done something remarkable.

I had not. I had only stayed.

In that life, I learned that sometimes, staying is enough.

In my fourth life, I lived above a shop that smelled of rain and paper.

The woman moved carefully, as though the air might bruise. She read late into the night, her fingers holding her place in stories she no longer quite believed in.

I sat on her books. I refused to be ignored.

One evening, I knocked her tea from the table. It shattered between us.

She stared – and then, suddenly, she laughed.

In that life, I learned that healing rarely arrives all at once. It comes in small, bright interruptions.

In my fifth life, I belonged to a baker.

Flour dusted everything. He sang as he worked, badly but with feeling. Crumbs fell like quiet offerings. I grew round in that life. Warm. Content.

Each evening, when the ovens cooled, he would sit beside me.

“Well,” he’d say, “we did our best today, didn’t we?”

And we had.

In that life, I learned that love lives in ordinary days.

In my sixth life, I found a boy who was trying very hard to be older than he was.

He carried too much. He did not cry.

At night, he sat on the edge of his bed, very still.

I climbed into his lap without asking. For a long time, he did nothing. Then, slowly, he folded around me.

In that life, I learned that some people need to be reminded they are still allowed to be held.

In my seventh life, I belonged to a woman who had lost someone.

The house had grown too quiet. The clocks spoke too loudly into the empty rooms.

I followed her. I sat where the light fell. I waited.

One morning, she opened the window.

Not wide. Just enough to let the air shift, to let something new find its way in.

It was not much. But it was everything.

In that life, I learned that grief is not something that ends – only something that softens, given time.

In my eighth life, I had no home at all.

I learned the backs of houses. The kindness of strangers. The sharp, clean edge of winter nights. I learned which doors might open, and which would not.

And still – there were hands that reached for me.

Bowls left quietly on doorsteps. Voices that gentled when they saw me.

I did not stay. I could not.

But I remembered.

In that life, I learned that even the briefest kindness can leave a mark that lasts.

This is my ninth life, and I have chosen carefully.

You did not see me at first. You were looking at the ground, as though something important had been dropped there, something you could not quite bring yourself to stop searching for.

I sat beside you. You sighed. “Not today,” you said, but I followed you home anyway.

You left the door open, just a little. I took this as permission. You fed me without speaking. You watched me as though I might vanish if you blinked.

Perhaps you have lost something too.

I sleep at the foot of your bed. I sit beside you when the world feels too large to hold. I press my head into your hand until, without quite noticing, you begin to stay.

You have not given me a name.

That is all right.

Names are for calling things back, and I am already here.

This is what I know now, after all my lives:

We do not belong to people. We find them. We choose them, again and again, in quiet, ordinary moments.

We stay for as long as we are needed.

And when we leave – as all things must – we leave them a little less alone than we found them.

And that is enough.

Support our work at Cats Protection

Thank you again to everyone who entered Cat Tales and helped us celebrate the extraordinary bond between cats and people through storytelling.

If you’d like to find out more about Cats Protection and our work to make life better for cats and the people who care for them, please explore the rest of our website.

Find out more ways that you can support Cats Protection.

Meet the judges


Gail Porter

For the best part of a decade, Gail was one of the most ubiquitous faces on British television, presenting legendary shows like Top of the Pops and The Big Breakfast. She swiftly made a name for herself in children’s television, presenting long-running shows Fully Booked, How 2 and Live & Kicking among others.

Since then Gail has been a vocal mental health advocate and championed many causes. In 2019 BBC Scotland made the documentary with her, Being Gail Porter, which went on to win a BAFTA. A regular attendee since she was a child, Hung Drawn & Portered was her debut show at the Edinburgh Fringe Festival in 2023.


Matt Richardson

Having started stand-up in 2009 at 18 years old, Matt became one of the youngest comedians on the circuit andsoon made it through to the finals of two national stand-up competitions – all while still in his teens. In 2013 Matt headed out on his first ever award-winning tour Hometown Hero in 2013. It was to 54 dates into spring 2014. After a break from touring he took a brand new show to Edinburgh in 2017 – called Slash – which gained several 5 star reviews and went onto tour for 60 dates.

Jump forward to 2020 and Matt is a seasoned TV host, having presented shows such as The Hangover Games (E4), Celebrity Haunted Mansion and Celebrity HauntedHotel (W) alongside Christine Lampard, and helming the spin off shows for both alone. In 2024 Matt will be heading back off on tour around the UK with his new show Brash.


Jane Fallon

Jane Fallon is the multi-award-winning television producer behind shows such as This Life, Teachers and 20 Things to Do Before You're 30. Her Sunday Times bestselling books - Getting Rid of Matthew, Got You Back, Foursome, The Ugly Sister, Skeletons, Strictly Between Us, My Sweet Revenge, Faking Friends, Tell Me a Secret, Queen Bee, Worst Idea Ever, Just Got Real and Over Sharing - have sold over over a million copies in the UK. 


Anne Twist

Anne Twist began writing poems in 2017 after suffering the loss of her beloved husband. Writing helped her navigate through grief. Her garden in the countryside became her inspiration and brought her peace as her craft grew. Born in the south of England, Anne is mother to Gemma and Harry. Reading to them constantly, especially at bedtime when they were little, was a huge part of raising her children. She hopes her debut book, Betty and the Mysterious Visitor, becomes part of your bedtime routine.

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